It’s also an attention to the experience of the viewer. We are striving to create things that are less about us and more about how we can communicate
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Zoe Juniper has already shown that there are other shores of at-home dance experience worth exploring further.
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I had seen the dance/installation performance live last year, so I thought I knew what to expect. But strapping on those VR goggles thrust me into what felt like a first date with someone I thought I already knew.
Melody Datz Hansen
CityArts
The company premieres the Sacred Harp-inspired Clear & Sweet
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This show was heavy on (as Anne Bogart would say), “Things you can’t fake.” Which is inherent in the craft and part of what I also love about dance (and circus for that matter). But beyond the technical dance feats, certain design elements of this show really resonated with me: the red dirt on the ground getting kicked up and hanging in the light as the dancers increased their intensity. The subtle smudges of it that clung to their faces and legs even after they moved out of it. The physical intimacy. These aren’t effects- it was all there, laid bare. I love that.Read More
offering a veritable lullaby to a piece that had touched every sense.
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