Beginagain, clear & sweet, eleven
Evan Christian Anderson
COmposer, clear & Sweet, Lighting Design Associate Clear & Sweet, Begin Again, Lighting Design, When we were kings
BeginAgain, Clear & Sweet
Amiya grew up in Santa Fe, New Mexico where she studied Ballet and Modern dance at the Santa Fe Dance Foundation. She received her BA in Drama with a minor in Dance from the University of the Incarnate Word in San Antonio, Texas. At UIW she pursued acting, dancing, painting, and lighting design. After college, she worked as a performer and lighting designer. In 2010, she received her MFA in Theatrical Lighting Design at the University of Washington. She now works as the Resident Lighting Designer at Velocity Dance Center, as well as a freelance lighting designer and visual artist. Her work includes collaborations with choreographers, theatre companies, visual artist and musicians. Some notable collaborators include Pat Graney, AmyO/Tiny Rage, Amelia Reeber, Aiko Kinoshita, Umami, Cornerstone Theatre Company, Book-it Repertory Theatre, Austin Shakespeare, and Washington Ensemble Theatre.
Evan Anderson is a lighting designer for theatre and dance and a musician. In and around Seattle he has worked with ACT Theatre, On The Boards, Book-It Repertory Theatre, Seattle Public Theatre, the UW School of Drama, Washington Ensemble Theatre, Velocity Dance Center, among others. He is a company member of CabinFever and he currently resides on Bainbridge Island. He is a graduate of the University of Washington.
Julian Martlew is a musician, composer, audio technician and radio announcer in Seattle.
Recent projects include:
Audio - mixing a live radio broadcast of Sub Pop artists Mudhoney from the roof of the Space Needle at Seattle Center.
Composition - music based on Tarot cards for choreographer Catherine Cabeen's work Fire, commissioned by On the Boards.
Live Performance - slide guitar for choreographer Paige Barnes work Naked.
Voice - imaging and underwriting for KEXP FM 90.3 Seattle.
A Crack in everything
A Crack in everything,
The Devil You Know...,
Kate & Zoe, There ain't no easy way out, beginagain
BEgin again, Clear & Sweet
Greg Haines is an English musician and composer who has been living in Berlin since 2008. He was born in a small town in the south of England in the 1980s, where he began from a young age to develop an interest in sound and the devices used to create it.
Since 2008, he has also been working regularly as a composer for dance, creating music for choreographers such as Meg Stuart (Berlin), Ina Christel Johannessen (Oslo), and the MD Collective (Cologne). In February 2012, Greg premiered a new work with contemporary Ballet choreographer David Dawson, the Holland Symfonia and the Dutch National Ballet as part of their 50th anniversary celebrations. Roslyn Sulcas for The New York Times wrote:
“The work is dark, both literally and metaphorically, but also exquisitely, wrenchingly, beautiful; a world of its own that draws you ineluctably within.”
Morgan Henderson is the former bassist of the post-hardcore band The Blood Brothers and the indie rock band Sharks Keep Moving, the current bassist in the post-punk band Past Lives, and a multi-instrumentalist with Seattle-based folk-pop group Fleet Foxes and Seattle based folk group The Cave Singers. Henderson has also been credited for playing a range of keyed instruments, including piano, accordion, and a Nord II synthesizer. As with the other former members of The Blood Brothers, he grew up in the eastside suburbs of Seattle, attending high school with his bandmates in the late 1990s when the band originally formed.
Christine Meyers is a Costume, Set and Production Designer and Cinematographer who creates for opera, theatre, dance and film across the United States and Europe. You can see her work at the Oregon Shakespeare Festival's The Tempest and the upcoming indie film The Bhakti Boy. Past productions include Le Bourgeois Gentilhomme at the Cornish Playhouse, Seattle Repertory Theatre’s Circle Mirror Transformation, This and Speech and Debate; and the earlier Peter Pan, The Highest Tide, and The Beautiful Things That Heaven Bears at Book-it Repertory Theatre, Twelfth Night and Julius Caesar at Seattle Shakespeare Company, as well as The Imaginary Invalid at Portland Center for the Performing Arts. Film credits include the 48hour film short Lethal Cotillion (2008 Cannes Film Festival), and the indie short Medicine Wheel. She created dissolving dresses and special effects for Alice in Chains’ 2009 video Lesson Learned. Her work with HandelFestival in Gottingen, Germany, included draping on Orlando, which was brought to Drottningholm Palace, Sweden.
CLEAR & SWEET
Ana-Maria Lucaciu was born in Bucharest, Romania. After graduating from the National Ballet School of Canada she joined Canada's National Ballet and went to dance with the Royal Danish Ballet, Germany's Augsburg Ballet, Lisbon's Contemporary Portuguese Dance Company, and most recently, with New York's Cedar Lake Contemporary Ballet, where she danced for seven years. Lucaciu has performed works by Ohad Naharin, Crystal Pite, Hofesh Shechter, Jiri Kylian, Alexander Ekman, Jo Stromgren, Sidi Larbi Cherkaoui, and many others. Ana-Maria assists Alexander Ekman with new creations and stages his work around the world. She also teaches and collaborates frequently with artists and companies in the US and Europe. Lucaciu has a BFA in Dance from Empire State College.
CLEAR & SWEET
Navarra Novy-Williams was born in New York City and received her early training from Elaine Kudo and Buddy Balou. She graduation from The Juilliard School with a BFA in Dance in 2006. She has since danced with Les Grands Ballets Canadiens de Montreal (2006 - 2009), The Batsheva Ensemble (2009 - 2010), and Cedar Lake Contemporary Ballet (2010 - 2015). She is currently freelancing in NYC, working with The Metropolitan Opera Ballet, Manuell Vignoulle M/Motions, and teaching Gaga. She is excited to be joining zoe | juniper for the creation of Clear & Sweet.
Ariel Freedman earned her BFA at The Julliard School, where she was a recipient of the Martha Hill Prize. After graduating, she performed with AszURe & Artists, Mikhail Baryshnikov's Hell's Kitchen Dance, and David Parker and The Bang Group. She danced with the Batsheva Ensemble for two seasons and with the Batsheva Dance Company for three. She teaches Gaga, the movement language of Ohad Naharin, and has performed with Crystal Pite's Kidd Pivot, Motley Dance, Keigwin + Company, the Troupe, Helen Simoneau Danse, Noa Zuk, Idan Sharabi and Dancers, Talia Beck, and Roy Assaf.
CLEAR & SWEET
Troy Ogilvie has danced for and collaborated with choreographers Andrea Miller (Gallim Dance), Sidra Bell, Gabriel Forestieri, Idan Sharabi, Itzik Galili, Shannon Gillen, Margie Gillis, Austin McCormick, Patricia Noworol, and Harumi Terayama; theatre company Punchdrunk; director Peter Sellers; and The Metropolitan Opera. Most recently, she performed as Lady Macbeth in Punchdrunk's Sleep No More (2013-2015). Troy has been working as a solo artist since 2008, performing solos by Sidra Bell, Itzik Galili, Margie Gillis (as a member of The Legacy Project/Le Projet Heritage), Shannon Gillen, Austin McCormick, Andrea Miller, Idan Sharabi and Harumi Terayama. Additionally, Troy is a founding collaborator and faculty member of the Movement Invention Project (Artistic Director Alexandra Wells) and Assistant to the Artistic Director of Springboard Danse Montreal. She is also one of Dance Magazine's 2011 25 to Watch and a BFA recipient form The Juilliard School.
CLEAR & SWEET
Originally from Michigan, USA, Dominic received his B.F.A from The Juilliard School in 2006. After his studies he joined La La La Human Steps (2006-09) under the direction of Edouard Lock for the production "Amjad". He then spent some time as a guest with Les Grands Ballets Canadiens de Montreal before joining Nederlands Dans Theater in December of 2009. At NDT he had the opportunity to work with Crystal Pite, Johan Inger, Jiri Kylian, Sol Leo and Paul Lightfoot as well as several other choreographers. Following his time at NDT, he joined Sharon Eyal and Gai Behar, and toured internationally as a member of their company L-E-V, and is now working as a freelance artist.
eleven, beginagain Clear & sweet,
we are kings, we were.
Kim Lusk has worked with zoe | juniper since 2012 as a performer, rehearsal director and currently as Rehearsal + Choreographic Assistant. She is a choreographer based in Seattle, and her work has been presented by Velocity Dance Center, Bumbershoot, and the Seattle International Dance Festival. She has also performed with Peggy Piacenza, Corrie Befort and Britta Joy Peterson.
She holds a degree in dance from Connecticut college.
Christiana Axelsen, Diana Deaver, Eloise DeLuca,
Ezra Dickinson, Thomas, House, Britt Karhoff, Raja Kelly,
Jim Kent, Erin McCarthy, Alex Pham, Allison Sale,
Anna Schon, Cory Scott-Gilbert, Randall Smith,
Shannon Stewart, Harumi Terayama,
Allison VanDyke, Kate Wallich
Robert Aguilar - Lighting Design ( A Crack in Everything)
Evan Anderson - Assistant Lighting Director (Begin Again Tour)
Erik Andor - Costume Design (A Crack in Everything, Kate & Zoe)
Celeste Cooning - Scenic Design (BeginAgain)
Kamran Sadeghi - Sound Design (The devil you know...)
Matt Starritt - Sound Design (A Crack in Everything)
Jessica Trundy - Lighting Design